Welcome to the Dollhouse

- Image via Wikipedia
I’ve been waiting for Joss Whedon’s new series, Dollhouse, with a sort of queasy anticipation for months. On one hand, it’s obviously about government ritual abuse, and it’s a little shocking and exciting to have that portrayed on TV – even if it turns out to be in a subtle, “this doesn’t really happen we swear,” X-Files kind of way.
(I’m torn about whether the X-Files made people more suspicious of government cover-ups, or whether it crossed the line into making it seem more like all such ideas are fiction. I think it went back and forth during its time, but I don’t know what the ultimate impact on people was.)
On the other had, it’s obviously about government ritual abuse, and will I really enjoy watching that? Even if Dollhouse is obviously on the side of the people being manipulated and abused, and the process of finding yourself again?
Well, maybe a little FAQ will help people process this series. Or: maybe writing a little FAQ for you will help me process this series.
What is Government Ritual Abuse?
Simple answer: ritual abuse is any abuse that is connected to an ideology – religious, political, whatever. Genocide, holocausts, clergy abuse…. Government ritual abuse is abuse by governments. Most commonly, in the United States, this includes things like Project Monarch – mind control experiments, experimenting on people general without their consent – but also situations like prostituting children to government figures. It’s scary shit.
How is Dollhouse About Government Ritual Abuse?
So my understanding of Dollhouse is that it is about a secret (non-government) agency, a corporation that programs people to be whatever the client wants. Erases their memories, controls what they think about themselves, how they behave, et cetera. This is eerily similar to what the CIA (according to their own documents – see the link for Project Monarch for more info) tried for so long to do. The goal was to create a sort of super-spy, who could be extremely convincing while also being no threat to the government because everything they knew and believed could be controlled.
This worked to varying degrees; you can never control everything people think, but ritual abuse in general is often all about controlling what a situation seems like so that people are too traumatized and too confused to trust their own experiences and build the consistent, coherent memories that normally let us function on a day-to-day basis. Often, to the extent that this ever worked, it involved creating or training people within multiple systems (what used to be called MPD or DID) to serve various functions for the government without being aware of what was happening most of the time. (And, in fact, a lot of their early experimentation involved explicitly trying to “create MPD.”)
But It’s Not About the Government!
Yeah, that’s true. Which is very interesting to me, that the reality is that the government has done (and could still be doing) this kind of work, and the fiction (which will probably be much more widely disseminated) is that a corporation does it. Anti-capitalist? Pro-government? Hey, I’m just glad this is coming out at a time when Obama, not Bush, is president. Because this is the kind of thing that the Bush dynasty was very involved in, (my fiancee suggests “bunch of douches” as a substitute for “dynasty”) and if we’re going to even imply a sort of support for the government by changing it to the act of a corporation, I’d rather have someone who seems trustworthy in office.
But yes: it’s the acts that are redolent of government ritual abuse, not the organization. Technically, Dollhouse is not about government ritual abuse; but in showing a fictionalized way that those very acts and plans could play out, it is.
At least in theory. Now let’s see what happens on the small screen!
Related offsite articles (not from Facing Abuse):
- Joss Whedon interview: “Dollhouse” (gointothestory.com)
- Taxpayer-Sponsored Torture from your Friends at the CIA (lockergnome.com)
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